‘HRF Keating: A Life of Crime’ gets a fantastic review in Strand Magazine.

By 22nd October 2020 October 23rd, 2020 News Blog
Strand Magazine

Review in Strand Magazine, October 2020


HRF (Harry) Keating is possibly Britain’s most acclaimed crime novelist. During his prolific career, he wrote over thirty crime novels, including twenty-one in his Inspector Ghote series for which he is best known. He also wrote four mainstream novels, and several non-fiction books. He began his writing career as a journalist and remained a reviewer for most of his writing life.
This biography, by his wife Sheila Mitchell, is a timely publication, almost ten years after his death. It gives a wealth of detail about the life of a man most readers know only from his books. Mitchell writes from deep personal knowledge of the man she was married to for fifty-eight years, and explores both his life as a writer – providing fascinating detail about his sources, his interests and the ways in which he researched and developed his books, but also detail about Harry Keating the man, his early life, the influences on it and his progression into a career as a writer, one of the best British crime fiction has ever produced.

HRF KEATING: A LIFE OF CRIME makes for a fascinating read. It is packed with a wealth of detail that draws the reader through, but which also makes it an excellent resource that anyone who wishes to know more about Keating can dip into. It contains detail about his childhood that has probably not been published before. Michell’s descriptions of the diaries and papers her husband left behind is both poignant and deeply engaging, presenting as it does the detective work that goes into the unravelling of a life. His diaries from his late teens and early adulthood were found ‘buried deep amongst a multitude of manuscripts that filled a cupboard in his study.’ Mitchell reflects that her husband would almost certainly have destroyed them if he had not forgotten about their existence. They contain deeply personal reflections about the Roman Catholicism in which he was raised, and his attitude to the army, where he felt he was ‘a fish out of water.’ But he also talks of his self-education in which he reads prolifically, goes to galleries, theatres and opera. He was a questioning reader, exploring not just the background to the books he read, but the rationale behind the writer’s approach. In one entry, he comments on his struggles with Yeates, whose work later became one of his major influences. ‘Does this account for the ‘Lake Isle of Innisfree’?’ he speculates at one point.

You can see through these pages, the development of a multi-layered understanding of the world and the arts, which gave his books the depth that made him so much more than just another writer of crime fiction. The biography makes it clear that Keating’s appeal lay beyond the genre in which he was most successful. He wrote books outside the genre, including non-fiction and a futuristic novel, which Mitchell is clear to establish, cannot be classified as either science fiction or fantasy. She also discusses Keating’s decision to work, briefly, under a pseudonym, Evelyn Hervey, pointing out that the name, rather than indicating a female writer, is androgynous and dispels any anomaly that might exist in a reader’s mind when a man writes from the perspective of a woman. Keating’s success is clear when only one critic, the late Reginald Hill, speculated that this writer could be a man.
Keating is best known for the Inspector Ghote novels, even though they comprise only half of all his work. Keating set the novels in India, a place he had never visited. He also undertook the very difficult task of observing this culture through the eyes of an insider, Inspector Ghote, though, as Keating happily admitted, Ghote is also Keating himself. As Mitchell says, ‘He had created a character who lived his life in a totally different environment and was outwardly his antithesis but who, internally, thought his own thoughts and felt his own feelings.’

Mitchell explores the reasons for Keating’s choice of setting for this, his most successful series. One at least was pragmatic. His American publishers found his books ‘too British;’ but it was also the nature of India with its multiple setting and cultures that drew him. He made a deliberate decision not to set the books in the British Raj, but in the hidden nature of India with all its ‘perfections and imperfections.’

This biography is dense with facts, informative, funny and poignant by turns. It is a must for fans of HRF Keating, but is also for anyone who wishes to explore a writer’s life, or who wants real insight into the life of an individual who left his mark. Highly recommended.

̶ Danuta Reah